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Fevertech
[view all reviews]
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| Review Date: |
06/01/2005 |
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This is deep headphone music. Don't listen loud, the subtleties are much more enjoyable at a low level. Mixed extremely well. I love it.
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psd
[view all reviews]
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| Review Date: |
07/31/2003 |
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The first two minutes of this made me think of Tom Cruise and Rebecca DeMornay on the train in "Risky Business". The whole track has kind of an 80's vibe going on. Almost an updated take on old Mike Oldfield stuff or something along those lines...maybe. It's very light and tranquil, but with a little bit of an edge in parts. The keys at 2:33 are the highlight of the track in my opinion. They're warm and jazzy and good. The production is top-notch, but the percussion is a little sparce for my tastes. Overall it's a good, solid, somewhat-retro-sounding track worth checking out.
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mr_cocktail_1
[view all reviews]
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| Review Date: |
06/10/2007 |
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awsome one dude the best one ever herd you do definitly my favorite of yours
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Chamelion
[view all reviews]
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| Review Date: |
09/30/2003 |
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im not usually into the 4/4 but it really works well here. super chilled tune. love the rhodes soundin piano, and some real nice synth work.
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Michael Chocholak
[view all reviews]
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| Review Date: |
10/17/2005 |
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tasty funk groove. nice sonic spread of timbral ingredients. got a very 70's feel all the way through with that plucky/bendy synth lead and that deep squelchy bass. the strangoid voices and a few of the other changes introduce themselves just enough to hook your interest and then let the piece groove on. well done:) power to the funk indeed!
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emgbiotch
[view all reviews]
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| Review Date: |
06/11/2003 |
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kind of a minimal electro funk thing going on here...nice and bouncy...i dig it...
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Terminatus
[view all reviews]
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| Review Date: |
01/24/2006 |
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I've always been partial to space and sci-fi themed pieces... starts off nicely, continues to build into an almost jungle sounding beat, accompanied with some tasteful stabs, and the always present arpeggiated synths.... Complex, polyrhythmic, fragmented particles floating through nothing akin to a void, instead, a vividly colored soundscape-galaxy...
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Michael Chocholak
[view all reviews]
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| Review Date: |
05/08/2004 |
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You know that feeling you can get in the wee hours - especially in the aftermath of some internal adjustments - kind of gritty and tweaky but exhilarated? Driving back alleys, momentary glimpses of objects and events caught freezeframe in the headlights as you roll past? And more than once you’ve gotta tap the brake lights and check the mirror cuz WTF? ->Thisthat<-.
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| Comment/Review By: |
mistabluesman
[view all reviews]
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| Review Date: |
01/27/2007 |
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funkyboy does it for me brother! Dark in-deed and a blast to jam with. Love the down deep warm feel and bass kick! It's mixed perfectly! Low tones always do me man! Great write and mix! On the third go around I climbed up on my CryBaby and together we made some funkyboy Blues Funk that smoked my hat dude! Perfect length. "You Da' Man Brillman". All fevers from me!
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| Comment/Review By: |
psd
[view all reviews]
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| Review Date: |
07/31/2003 |
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This would be great music for breaking into someone's house. It's got a great late-night, sinister kind of creep to it. Tight yet subdued percussion provides a nice backdrop to some rather dark synth work. That is until around 3:20, when it kind of becomes a little loud and clumsy. This is most likely because the new synth that drops in there is just too loud and arguably kind of melodramatic. It ruins what is otherwise a really interesting and groovy track. (IMHO).
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| Comment/Review By: |
psd
[view all reviews]
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| Review Date: |
07/31/2003 |
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This is a very nice, spacey track with a beautifully hypnotic pace. At several times during this song, i was reminded of Moby's "Early Underground" collection. When the organ enters at 2:50 the similarity is overwhelming. Brillman seems to have captured that 90's acid house vibe perfectly on this one. The throbbing bass mixed with the almost mournful synths come together to create a warm yet slightly threatening atmosphere. The addition of the percussion at around 3:50 is expertly timed, insuring that things don't ever get too dreary. I really dig this. Good Job.---Pedestrian-Sound-Design:)
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