Good job. This is very much in the same vein as the first few volumes of the "Speed Limit..." compilation series. A great old-school jungle-ish sound with a swarming synth/bass that reminds me very much of one of my own tracks(not posted yet). This is worth checking out.

This is a great axample of, not only production skills, but also a keen musical sensablity. It's got an amazing combination of old-school 'breaker' beats, groovy instrumentation, and an almost "children's tv" approach to the keys/organs. (It took me forever, but i figured it out...it's "Deadman".) I highly recommend this track. Good job.

The percussion in this track is tight and groovy, but the synth is too loud to enjoy it...And i do mean that loud, annoying throb that pops up over and over again throughout the entire song, screwing the whole damn thing up. That's the only problem i have with this track, but it's a big problem. It makes the song sound cheap or something. It's so loud, you can't help but focus on it. It's a funky, break-driven piece with a great 'old-school' kind of feel, but it's hard to get around that synth sound. Maybe it's just me.

This song really isn't very impressive until the beat drops at 1:40. What starts off as a spacy kind of soundscape quickly becomes quite an interesting breakbeat track. It's dancy and well-produced with a great overall mood. The synths are nice & understated and the drums are razor-sharp, putting this in heavy rotation at my house. The only problem is the vocal samples, they're kind of muffled...and, in all honesty, not that great anyway(IMHO). All things considered, this is one track that you should definitely check out. I think you'll dig it. Good job!

I really like this except for one thing...the acid-rock guitar solo that plays over the entire thing. (IMHO) this takes away from what could be a beautifully melancholy kind of track. It could be left out altogether, or at least be re-thought. The rhythm guitar is quite nice and peaceful, even if it is a little muddy sounding. The addition of the horns was exactly the right move, it brings a whole new level of emotion to this track...even if it does all get drowned-out by the solo at times. This has the potential to become some sort of 'organic-ambient' epic(Tranquility Bass-esque, even), but it's not quite there yet.